Frailty and women – the uses thereof.
by tomlloyd on Mar.04, 2010, under Tom Lloyd and Joel Shepherd
I was going to post that I’m not a fan of frailty, or not to the degree Joel says he is, but thinking about my books that might not be so true. First and foremost I’m interested in power and its mechanics – what such a level of power can do to a person and their actions – but if you go below the surface frailty becomes crucial. Isak I can’t talk about because Ragged Man isn’t published yet, but even at the start of the series there is a note of frailty in his fears and unpreparedness.
A reoccurring theme of the Twilight Reign is me messing with my powerful characters, presumably because I’ve got the social development of a three year old. Many are frighteningly powerful and are capable of inflicting horrors on the rest of the world, but as a result this high station makes me immediately think about knocking them down. I’m playing with the vulnerabilities of gods, I’m breaking or torturing the superhumans – the more I think about it, the more I realise power comes with the price of being noticed by the kid with the God-complex and no morals.
Joel’s post made me think of a question to pose, to myself as much as him or the wider world – is there often a purpose for when a female character is used in fantasy fiction, rather than a male? Now I’m not drawing conclusions here, or even certain of the validity of my question, but especially with the idea of frailty being important to the dynamics of a novel and the place of women in most of these medieval societies, might it be that many of female characters are used specifically to counter-balance strength or highlight frailty in a situation?
If you read a history book, most of the figures mentioned are male, especially if you reduce that down to those who actively do something rather than get fought over like Helen of Troy. The course of history has rightly or wrongly been shaped by men and most fantasy writers conform to that model to some degree, for basic physiological reasons mostly. That in itself relegates women to a lesser position and most likely limits their numbers in the book – but do you think that makes them window dressing or individually more important than the men because of the extra dimension they add to situations?
And now, like the coward I am, I’ll leave that for Joel to answer…
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March 4th, 2010 on 2:10 pm
As a reviewer who is a fan of fantasy, I think realism is critical (of course, being a reviewer automatically disqualifies me from having coherent opinions in the eyes of many writers, and readers, but I accept that).
John Gardner, a mainstream American novelist, said that one of the tasks of the writer is to create a “fictional dream”, and to me, what makes the dream elements work is when they’re surrounded by reality. In other words, I can accept magic much more readily if it’s grounded in an accurately portrayed and believable world — but if everything’s “fantastic,” in the literal meaning of the word, then I start to lose interest.
I’m also a high school girls’ basketball coach, and am heavily involved in women’s basketball at all levels, up to the Olympics, and though I fully appreciate tremendous skills and athleticism of elite female players, the reality is that elite men are much, much stronger, much, much faster, and much, much quicker. It makes sense to me that a 99th percentile female warrior would handle ordinary soldiers with no problem, but if she faced a fully focused 75th percentile male warrior she’s going to need to be awfully lucky.
March 5th, 2010 on 6:11 am
And how lucky are you willing to believe? Purely for the sake of curiosity and future writing, how far do you think that can be stretched? If they were in a one-on-one sparring contest, would you always expect there to be some element of fortune in the woman winning?