Genre hopping
by morgan on Nov.16, 2009, under David Anthony Durham, Jeff VanderMeer, Paul G. Tremblay
Hey Paul,
I look at genre hopping and genre blending as two very separate things. Dan Simmons is a classic hopper. He bounces from science fiction to mystery to horror. Since he does it all well, that’s okay with me. On the plus side, hopping exposed his work to different audiences and opened a potentially larger reader base. On the down side, his die-hard SF or horror fan might decide to take a pass on something out of genre. Hey, I don’t blame them. There’s only so much time in the day, and it is natural to prioritize those titles in your favorite genre.
The hopping can inhibit an author’s growth initially. That’s purely a matter of shelf-space. If an author has 10 books on the shelf, all beside each other, than that author is more likely to attract a shopper’’s attention. If the books are scattered all over a store, in multiple categories, it is harder to grab that impulse browser. Of course, that’s a bricks & mortar challenge more than an online one.
I’m in favor of genre blending if executed well and communicated well to the customer. If the author is writing experimental work for the sake of experimentation or breaking down genre borders, then I tend to be less interested. If the author is creating a great story with fantastic characters and breaks down genre barriers at the same time, then I’m more excited.
Stephen King’s Dark Tower is my favorite example of a great genre-blender. It’s a Western - Fantasy - Science Fiction - Horror series. He pulls it off. Sure, that’s concept, but King’s talent also has something to do with it.
It will be interesting to see if Terry Goodkind’s fans eventually embrace his Law of Nines book. It’s another genre-blender, walking a fine line between Thriller & Fantasy. What’s everyone think? Does the cover satisfactorially convey that it a Thriller, a Fantasy novel, and an excellent read for fans of either genre?
Related posts:
- Medium Hopping We’re talking about genre hopping, but we also have medium or format hopping. We have authors such as Mike Carey and Dan Abnett writing comics. Jim Butcher wrote a Dresden Files comic. Neil Gaiman is writing screenplays. George R. R. Martin’s Game of Thrones and Charlaine Harris’ True Blood are...
- In (brief!) defense of genre mixing Yes, you can hear agents cringe and editors spit out their coffees at the mere mention of genre hopping or mixing; their jobs made, somehow, infinitely more difficult because there is no pre-fab marketing niche for your novel that mixes SF, western, and cozy mystery! I say that with tongue...
- Lots of Hopping Jeff, I very much looking forward to that reading. It means me coming out of the woods for an evening in the city. Haven’t done that for a while. It’ll be good fun, I’m sure! Paul, I appreciate genre mixing. I have to admit I don’t feel cool enough to...
- Re: Medium Hopping The short answer is that I’d love to if the opportunity arises! Not so much screenplays. I tried writing a screenplay once at the urging of friend Kris Meyer. He liked a horror short story of mine called “The Harlequin and the Train” (4200 words) and thought I should try...
- Re: Re: Medium Hopping Morgan, I’ve considered the screenplay thing. Who hasn’t at some point daydreamed about giving their acceptance speech at the Oscars - the one for most awesomist screenplay? (Or is that just me? That category exists, doesn’t it?) I’ve also had three novels optioned for film, so in some ways I...

November 17th, 2009 on 10:11 am
Morgan,
That’s a good point about the difference between genre hopping and genre mixing. I endorse both despite (the hopping in particular) doing either meaning a tougher career path.
November 17th, 2009 on 10:11 am
Oh, and the Goodkind certainly does look like a thriller cover.
November 17th, 2009 on 12:09 pm
I agree with Paul. That Goodkind cover looks solidly thriller, maybe legal thriller or something like that. I don’t see any hints of the fantastic in it.