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The Granola Future (More on Utopia)

by paolobacigalupi on Sep.09, 2009, under Paolo Bacigalupi

So, as I wrote previously, it doesn’t seem impossible to write a positive future, where society is actively sorting out its problems instead of creating new ones.  So… Why don’t we?  I’ve been mulling this, as I’ve gotten a certain amount criticism over the years about the kinds of futures that I create.  Generally this criticism runs along the lines of “Bacigalupi writes well, but after you’ve finished one of his stories you just want to go slit your wrists.”

Which actually makes me laugh, because a lot of times, that’s how I feel after I’ve finished writing the story, too.

So what’s wrong with writing a Utopia?  Or at least creating a positive version of a future society? And why don’t more SF authors do it?

My theory is that the real problem with writing Utopias is that it puts a writer’s values front and center. It’s the artistic equivalent of tearing open our shirts and baring our chests while bleating about the need for true love in the universe.   It’s a vulnerable position because in a society that values the the ironic eye over the naive one, you’re basically setting yourself up as the artistic equivalent of Dennis Kucinich.

He’s just so painfully sincere, y’know?

Writing a Utopic vision of the future means you really are going to talk about people working out their differences (yawn), show them living as is if they valued the earth (gag), and worst of all, you’re not even going to make fun of them.  The future awaits, and it’s made of granola.  Nearly everything that you propose (reducing consumption? controlling corporations? making people aware of waste streams?) has that reek of do-gooderism and social engineering that even if you do it well, it still has the whiff of singing The Internationale. It’s not so much that it’s impossible to write a positive future, it’s more the fear of someone making fun of your vision that really sends a writer running in the other direction.

That’s my theory, at least.  Artists want to look smart, and smart and painfully sincere go so badly together.

Related posts:

  • Dramatic Utopia
    Paolo, we’d all like to predict a better future.  The Grand Society or New Golden Age.  Environmental problems are fixed.  Diseases are cured.  Wars have ended.  I’m not sure if it is a realistic vision for some far future day or not.  My question is how does a predictive Science...
  • Utopian Science Fiction
    Hi Morgan, You say: “At the heart of storytelling is drama, tension and struggle.  In a world lacking scarcity issues, much of the tension is removed, and it becomes more difficult to tell a traditional story.  Unless the Utopia is an illusion or secretly corrupt, and that makes for good...
  • More on Apocalypse
    One of the interesting things that came up at the symposium I attended in Japan, was about the way we in SF treat scarcity concepts–mostly with rioting, looting, banditry, complete societal breakdown, and Australian desert–and how that may work to embed certain images and perceptions in people’s minds about what...
  • Greetings
    Hi Everyone, I’m Paolo Bacigalupi, and I’ll be hanging out here for the next couple weeks or until Morgan throws me off.  I write science fiction almost exclusively, and mostly I focus on environmental topics–things like peak oil, global warming, chemical pollution, drought, GM foods… cheery stuff.  No seriously, it’s...
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4 Comments for this entry

  • Scott Jensen

    Good points.

    I would add that writing utopia future is FAR more difficult than writing about a flawed future. Flawed futures are easy to create and have built-in conflict into them. Your main character can then work to correct this flawed world or, at the very least, struggle against it. Your main character being the good guy and the world being the bad “guy” that the character fights against. Want more drama? Simple. Make the future more flawed.

    However, with a perfect world, the author cannot be so lazy. The author has to actually think all things through. Approach it from all angles. Any flaw left into the system (a.k.a. world) will cripple the reception of it by the reader. This alone makes writing utopia fiction the hardest form of fiction. Not the hardest form of science fiction but the hardest form of any kind of fiction. It requires the author to spend a LOT of time thinking of the world and getting it right. And odds are, they won’t get it right. Reviewers of utopia fiction have an unbelievably easy time attacking since all they have to do is find a flaw in the world and rant about how the author didn’t address it.

  • paolobacigalupi

    Yeah, you can almost hear the wolves baying as you write.

  • Scott Jensen

    And I don’t get your snappy remark.

  • Johnny

    I wonder sometimes if we haven’t got the function of language the wrong way round. That it is for prophecy or programming, not for recording events (with entertainment as a side effect).

    So if you say, write a novel, or worse make a movie about a future where people clone dinosaurs that end up running amok, with the intention that it should make people reconsider the ramifications of cloning, what actually happens is that the world gets closer to that possibility being realized. Maybe all dystopian fiction backfires to the degree of it’s popularity.

    Point being we could probably use some utopian SF right about now.

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