Making your own worlds come alive
by kmiller on Aug.09, 2009, under Karen Miller
The thing about writing tie-in fiction, for me, is how easy it is. Like I said in my answers to Morgan, I’ve already fallen in love with that world and those characters. They are real people to me (okay, remember now how I said I was nuts?) so that when I’m writing a Star Wars novel or a Stargate novel I feel like I’m just eavesdropping on their lives and recording what’s happening. It took me a long time to have the same kind of faith in my own characters and worlds that I feel for those invented by other great writers. And the first character I really fell for like that, the one I created who absolutely took on a life of his own, is Asher. Even while I was flailing around all over the place in the early drafts, too inexperienced to really have any kind of clue as to what the hell I was doing, not quite getting a handle on the other characters, Asher was always there. Fully-formed, three-dimensional, and smacking me over the head to get the story told already.
The reason I think writers and actors share a kink in the brain is because when we’re writing a story, it’s like we’re actually putting on a one-person show. When I write a novel I become all of the people in the story. Like an actor I try to get inside their skins, their minds, and create their lives the way they’re living and feeling and thinking them. It’s easier to do with tie-in work because the external example is there to study and absorb. When you’re the one creating the performance, it’s a bit more intimidating.
I was pretty nervous about returning to Asher and his world. Since writing the first two Kingmaker, Kingbreaker books I’ve written another seven novels, with a really wide variety of characters and settings. When it came to time to start work on The Prodigal Mage I started to panic, thinking that I wouldn’t get the voices back, I wouldn’t get them back, Asher and Dathne and Pellen and Darran. But it was so amazingly weird. I sat down, I started writing, Asher opened his mouth and it was on for young and old. He was back, bigger and bolder and brasher than ever. And it felt like I’d caught up with an old friend, after a long time away. A bit older, a bit wiser, but still Asher.
I wonder if that’s how Johnny Depp’s going to feel when he goes back to Captain Jack Sparrow?
At the end of the day it’s all about falling in love, I think. Whether it’s my world or a world I’m playing in that someone else dreamed up, if I’m in love with it and the people who live there, it’ll definitely come alive.
Related posts:
- Writing tie-ins — Morgan’s questions answered So Morgan’s asked a bunch of questions, and they’re great questions, so I’ll answer them as a post. I imagine that writing a tie-in novel is a little bit like driving someone else’s car. You’ve been given the keys, but you know that you’re going to have to give them...
- Isn’t it all about the story, really? So there’s a certain amount of kerfuffle goes in speculative fiction circles about the place of media tie-in novels. Quite a lot of folk, it would seem, think that place is the nearest rubbish bin — or trash can, if you will. Quite a lot of those folk are writers....
- Thank you so much! I’ve had such fun nattering on here at Babel Clash. Thanks to everyone who stopped by, and thanks to Morgan for inviting me. As I stagger on my way to finish another book, I’ll leave you with these couple of thoughts … As a writer, I owe everything to you...
- Answering Morgan, again. If you could play in any franchise, is there a dream project lurking out there for you? Craving a shot at Halo, Warcraft or Hello Kitty? And if I say I don’t know Hello Kitty, will you smack me? *g* Actually, I don’t do computer games or anything like them....
- A Burning Question So here’s a question for you: are writers sane? The answer? No. Writing is one of the most insane occupations around. I rank it right up there with acting. And since I’ve done both, I feel confident in that assertion. So, why is it that writers’ elevators don’t got...



August 11th, 2009 on 8:19 am
I’ve heard writers say that before- they become the characters when they’re writing- and that makes a lot of sense. But something I’ve always wondered is what it’s like to play the villains? You write some pretty intense villains, and I’d imagine sometimes it’s kind of scary to get into their heads and their lives. How do you deal with that?
August 11th, 2009 on 5:44 pm
Heh heh heh. Probably I shouldn’t be admitting this in public, but I have an awful lot of fun playing with the villains! Basically, I let my dark side off the leash and indulge every last appalling, dictatorial and autocratic impulse in my body! There is something terribly, terribly liberating about not being nice. *g*
August 11th, 2009 on 6:53 pm
Oh, and because I am a doofus — thanks! I’ll take intense as a compliment! *g*
August 12th, 2009 on 4:22 pm
Intense definitely was a compliment. I think your villains are spectacular… well, not spectacular people, but spectacular villains
I just finished reading Accidental Sorcerer, and I thought you portrayed Lional’s madness really well! In the beginning I didn’t really expect that he was actually crazy, but wow… his coldness was just done really well.
Same with Hekat I think. The first series of yours I read was the Godspeaker Trilogy and I was really impressed with her villainous. I really liked how you let readers see it from her point of view first and then it was like a slow descent into Wait a minute… she’s actually incredibly evil and insane.
Basically, overall just amazingly well done! ^_^
August 12th, 2009 on 5:31 pm
Wow, Stephanie. Thank you so much!!!! That was exactly what I wanted to do with poor old Hekat. She had so many cards stacked against her, I’m not sure if she ever had a chance. And even though she has issues, there are moments when I really do like her. As for Lional, I have to say, writing him has been one of my favourite things to do ever. He’s just so snarky! *g*